Multiliner Pens and Watercolor: The Perfect Combination for On-The-Go Artists

Most of the visual art I create these days is digital, using my trusty iPad.
But every so often I love to return to some tactile roots and grab my sketchbook, Multiliner pens and travel watercolor kit. There’s nothing like setting up on location to capture some sights and experiences that are playing out right before you. It’s a great way to remember moments, special or ordinary.

If you’re new to the sketch scene, or returning after some time away, here are some pointers to help you navigate your sketch opportunity!

Multiliner pens are a versatile tool that can be used for a variety of drawing techniques. They are especially well-suited for drawing on the spot, as they allow you to create precise lines and details. If you want to add a touch of color to your drawings, you can also use watercolor. (That really makes your sketches sing!)

Here is a step-by-step guide on how to combine multiliner pens and watercolor:

1. Choose your subject. This could be anything from a landscape to a portrait to a still life.

2. Sketch your subject using a multiliner pen. Use light lines so that you can easily adjust them later if needed.

3. Add details to your sketch using a thicker multiliner pen.

4. If you want to add color, dilute some watercolor paint with water.

5. Use a brush to apply the watercolor to your drawing. Start with light washes and build up the color gradually.

6. Let the watercolor dry completely.

Need some tips for combining multiliner pens and watercolor?

• Use a high-quality watercolor paper. This will help to prevent the watercolor from bleeding through the paper.

• Be careful not to overwork the watercolor. Too much water can make the paper buckle.

• If you make a mistake, you can erase the watercolor while it is still wet.

• Experiment with different colors and techniques to find what works best for you.

• Combining multiliner pens and watercolor is a great way to create detailed and colorful drawings. With a little practice, you can learn to create beautiful and unique artwork.

Here are a few additional tips to help you succeed:

• Use a light touch when sketching with the multiliner pen. You can always add more lines later, but it is difficult to erase lines once they are drawn.

• If you are using a watercolor pencil, you can apply the color directly to the paper without diluting it with water. This will give you a more opaque color.

• You can also use watercolor markers to add color to your drawings. Markers are a quick and easy way to add color, but they can be more difficult to blend than watercolor paint.

With a little practice, you will be able to create beautiful drawings that combine the precision of multiliner pens with the vibrancy of watercolor.

So get out there and start experimenting!

The moment it all changed. And it could for you, too.

It's even a sucky photo...

About 5.5 -6 years ago I picked up a pen and a sketchbook after a 10 year hiatus.

This is what I sketched. A Starbucks coffee cup.

I both hate this drawing, and love it. 

I hate it because it's embarrassing. It's a sucky drawing of a coffee cup. But I love this drawing because it signifies a rebirth. A phoenix moment.  The moment I decided to push past my fear, those voices that told me I couldn't draw because I couldn't draw photorealistic renderings. The moment I choose to get back to my art because I needed it, for my soul.

I showed up that day. And the next. And almost 6 years later, I haven't missed a day of creating art. 

This journey taught me about myself. I found my voice and style along the way. I connected my passions with my talents. I stepped into being an ARTIST, not just a graphic designer.

What is holding you back? What do you want to accomplish? It will never happen if you don't show up, and keep showing up.

Will today be YOUR phoenix moment?

Take a bold step, and leave me a comment on what you want to accomplish. That might be your first step, speaking it out loud!

An Unresolved Idea: The Art of Storytelling

This is going to be one of those blog posts that doesn't have a bow on top. It's not going to resolve nicely, or present a complete narrative, or 5 ways to do such and such. No, this post is just me sharing an idea. Sharing something incomplete. Who knows, maybe you’ll help play a part in helping complete it.

Last year, I came to the realization that there just might be more opportunity in this thing I “just do”, namely drawing. Out of that and a trip to a conference called Tribe, was born a new service I now provide - event sketching. You can read more about that here.

This year, i’m feeling prompted to take that idea further. I need to tell more stories in my art - on location and in the moment drawings of people and places, events and stories. A kind of experiencing and then reporting with the art that is created.

I’ve done a little of this in the past. A few years ago, I was able to go on a missions trip with my church, partnering with Living Water International, an organization that helps bring clean water to those most in need of it. We were sent to help build a well, and teach the village about hygiene and the importance of clean water.

While on this trip to Nicaragua, I brought along a sketchbook and chronicled the trip. I drew and painted everything from the travel, to the teammates, to the activities we did and the people we met. At the time I didn’t realize how important this act of creating art in the moment would actually be. It’s been a few years, but I can open that sketchbook and vividly remember details that not even a photograph could help capture. The stories I encountered are forever linked with the art I created.

“The stories I encountered are forever linked with the art I created.”

Fast forward to today. I’ve been intentionally taking more time out to be quiet, listen and pray. This idea returns to me. How can I tell more stories through my art this year? How can I leverage it for the benefit and service of others, especially those without a voice, those who need to have their story told? What could that look like?

These are the questions i’m pondering. I don’t know what that looks like yet. I don’t have opportunity, connections, resources, money…. or anything really, except this idea. Maybe something happens, maybe it doesn't. I really don't know to be honest. But perhaps you have a thought to contribute, or another piece of the puzzle. If you do, I'd love to hear it.

So that's all I’ve got for now. This embryo of an idea. Maybe it's premature to bring out into the light, but the thing is, this idea feels bigger than me. So it's not about me keeping it under wraps until I figure it out, it's about releasing this and seeing if it resonates with more people too. And grows.

Whatever happens, I hope to create more art that tells stories that honor people, and glorify God.

What story would you tell through art?

A Quick Sketch

A quick time lapse video of me sketching in my Moleskine watercolor sketch book. 

2 Weeks. 72 Sketches. 1 unforgettable week in Nicaragua.

I had the privilege of spending a week in Nicaragua with a team of people from my church, working alongside an organization called Living Water International. Our goals were to drill a well to provide clean water for this village, and teach them about hygiene and the love of Jesus.

It was an intense week, both physically & emotionally. We had to move our drill rig and restart the process of drilling a few times, and ultimately it was determined that we would not hit water that week. There was no video of happy people experiencing clean water for the first time. There was no village celebration. It was incredibly difficult to process it all.

Our faith was stretched. We were faithful in all we could do, yet we did not arrive at our desired outcome. Thankfully, LWI is committed to continued efforts to bring clean water to this village. We wait in anticipation for the news.

Before I left for the trip, I had the idea of filling up a Moleskine sketchbook with the things I saw and experienced. While I had to finish things upon my return based on some photos I took - I'm so glad I decided to record these things to cement the experience all the more.

If you're interested in seeing all of the sketches check them out here!

If opportunity hasn't knocked, start going door to door.

What do you do if you feel like you're doing everything you possibly can to advance in your art and yet there seems a lack of opportunity? You try and try and yet it's like there's no traction. Where is that "lucky break"?

You have two choices:

1. Complain about the lack of opportunity and become jealous of those around you who seem to be succeeding with such ease. I could so do what they're doing, you think. But you're not. To be honest, you're barely doing what YOU are doing. It's not luck. It's hard work on what is before you right now, no matter how small or big.

2. Make opportunities. Yeah I know. I hear the push back. The truth is though, if you are HUNGRY enough you can take advantage of opportunities all around you. They just aren't those sexy opportunities that thrust you into the public eye with accolades and acclaim. And let's be honest. If we're going to bust our butt, we want it to count for something BIG right?

What I have found is that you might have to redefine your idea of what great opportunities look like.

If opportunity hasn't knocked, start going door to door.

Are you doing work you love? (If not - then get to it. Stop waiting for someone to ask or invite you to do it).

Ok. I'll use myself as an example. Would I like to have my art valued, hung in galleries and sold for a lot of dough, and soak in all that goes along with being a "successful" professional artist? Sure. But I'm not waiting for someone to come knocking. I keep taking the right next step. TODAY (That's my mantra, as you know well if you frequent my blog).

Practically here's what that looks like:

- I committed to a drawing or painting a day for an entire year. April 4th will be an entire year. I have held to that. And even done more some days. Did I do this because some one asked me to? No. I did it to kick to the curb the lie I believed for too long that I because I couldn't draw in a photo realistic style my art was no good. This experience is more valuable than your could possibly imagine.

- I have taken advantage of FREE (and cheap) opportunities. Visit the Sketch book project. Sign up to not only do a sketchbook but every so often they have other projects to join in on. Most recently it was The "Dreadful" Project and it was free to enter. Sign up for a class at a local art center. Take a class from Craftsy.com

- A fellow artist i follow on Instagram decided to do a #100dayproject and asked who might want to join in. (see my previous post) So for the past 21 days I've posted an iPhone sketch of someone else's photo in my Instagram feed. This has been great because I get to keep myself sketching and benefit from brightening up someone's day when I tag them in my post. They often are flattered & think it's way cool. And I even won a t-shirt from one post :)

- A few weeks ago I joined up with the NYC Urban Sketchers group. These are people who just love to draw. They meet up every Saturday in NYC and sketch in various places. Urban Sketchers have groups meeting world-wide. And it's F-R-double-E except when there's an admission to a place they are sketching (like the Central Park Zoo, which was $12 admission).

- Make things for other people. Give your art away. Give some to friends and family. Surprise someone with a handwritten letter and draw on the envelope. You'd be surprised how this could make someone's day. I did a watercolor painting of my daughter as a surprise for her 11th birthday. Your art is a gift, and while you need to make money if this is a career, there are also times when you need to gift it.

- Use social media to share your art. Facebook, Instagram, Twitter, Google Plus, Pinterest - you never know who might be exposed to your art, like it or even share it. It's todays networking. And if you're an introvert, this is great news as you don't have to have the personality of a mayor to connect.

- Look for local venues to display your work. In april, I will have one piece in a show at a local library. In August, I'll have my first solo show at another library. While it's not a SOHO gallery in NYC, it's getting your work out there that counts!

I don't say all this to brag. On the contrary, I say it to show that everyone has opportunity. Sometimes you just have to get creative, or change your perspective. And before you tell me it's easy for me because I'm a "creative professional" - all that I mentioned above has nothing to do with my full-time graphic design job. This is extra.

So, still think there's no opportunity? Get to creating...